Like. Just as he does when he writes for The Atlantic, Thompson shares more interesting ideas per paragraph than practically any other writer today. You can only set your username once.Before you post, we’d like to thank you for joining the debate - we’re glad you’ve chosen to participate and we value your opinions and experiences. They didn’t share a common style. But even with Renoir serving as executor, the French government initially refused to accept the artworks. When a team of researchers at Cornell University studied the story of the impressionist canon, they found that something surprising set the most famous painters apart. "Hit Makers" by Derek Thompson is an excellent, Malcolm Gawell-like book that examines what makes a hit. Responsibly, Thompson keeps insisting that “there is no formula” to success, but a book such as this is obliged nonetheless to offer pseudo-formulae, “takeaways” for the executive that, inevitably, are always hedged about with such formulae as that x “sometimes” ensures success (so at other times it doesn’t) or “can” create popularity (except when it can’t). Or it might have meant that Cornell students preferred canonical artworks because they were familiar with those paintings.
In each pair, one of the paintings was significantly more “famous”—that is, more likely to appear in one of Cornell University’s textbooks. In his new book Hit Makers: The Science of Popularity in an Age of Distraction, Atlantic editor Derek Thompson looks at how the “Mona Lisa” became just so … By one count, the accepted paintings included eight works by Monet, seven by Degas, seven by Pissarro, six by Renoir, six by Sisley, two by Manet, and two by Cezanne. There's a problem previewing your cart right now.For many centuries, philosophers, artists, and psychologists have studied modern art to learn the truth about beauty and popularity. Who was this scoundrel to think he could posthumously force the French government to hang dozens of blotchy atrocities on its own walls?
He concluded that the impressionist canon focuses on a tight cluster of seven core painters: Manet, Monet, Cézanne, Degas, Renoir, Pissarro, and Sisley—the Caillebotte Seven.His fears were prescient. Caillebotte’s self-portraits show him in middle age with short hair and a face like an arrowhead, angular and sharpened to a point, with an austere gray beard. "People tune in to ESPN without even knowing what’s on.” That's what Artie Bulgrin, ESPN’s director...The Science of Popularity in an Age of DistractionTIME magazine called them the "ME ME ME Generation."
“Derek Thompson’s Hit Makers is a terrific read—a sparkling combination of fascinating stories, cutting-edge science, and superb business advice. Is the music business allergic to artistic...There’s a hidden history to every smash success—a web of economics, psychology, and desire that...As the economy slowly begins to reopen, businesses are facing big, challenging questions: How...Will you soon lose your job to a machine? Derek Thompson is a staff writer at The Atlantic, where he writes about economics, technology, and the media. Enter Derek Thompson, Millennial expert. But in his twenties, he discovered a passion and immense talent for painting.One century after the exhibition of the caillebotte collection, James Cutting, a psychologist at Cornell University, counted more than fifteen thousand instances of impressionist paintings to appear in hundreds of books in the university library. He gathered 166 people from his psychology class and presented them with paired works of impressionist art.
As a young man, he veered from law to engineering to the French army in the Franco-Prussian War. And it all started with Caillebotte.The French elite, including conservative critics and even prominent politicians, considered the bequest presumptuous, if not downright ludicrous. Hit Makers by Derek Thompson review – how things become popular Nothing actually ‘goes viral’, and consumers are both conservative and curious, argues this engaging cultural study He is a staff writer at The Atlantic and the author of Hit Makers: How to Succeed in an Age of Distraction. Famous paintings, hit songs, and blockbusters that seem to float effortlessly on the cultural consciousness have a hidden genesis; even water lilies have roots.This could have meant that famous paintings are better. Thompson explores the consumer habits of this generation, shedding light on what kinds of ads they pay attention to, what manner of media they consume, and the sort of messages they accept and reject. ― Derek Thompson, Hit Makers: How Things Become Popular.
Hit Makers was named the 2018 Book of the year by the AMA.
You have to see the deeper story. His contemporaries considered him a phenomenon on par with Monet and Renoir. 1 likes. 1 | Virální šíření neexistuje. They did not receive unique praise from contemporary critics, nor did they suffer equal censure. *FREE* shipping on qualifying offers. ... Atlantic senior editor Derek Thompson uncovers the hidden psychology of why we like what we like and reveals the economics of cultural markets that invisibly shape our lives.
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